The Celtic Roots of Quantum TheoryPosted on Monday, October 04 @ 15:45:54 PDT by admin: "
The Celtic Roots of Quantum Theory
The reality of metaphysics is the reality of masks.
--Oscar Wilde
By Robert Anton Wilson
The day in 1982 when my wife, Arlen, and I arrived in Ireland we tried her battery-operated radio to listen avidly to whatever we might find: our way of dipping our toes in the new culture before plunging into its alien waters totally. By the kind of coincidence that I don't regard as coincidental we found an RTE* interviewer discussing local legends about the pookah with a Kerry farmer. As a longtome pookaphile, I found the conversation spellbinding, but the best part came at the end:
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*RTE = Radio Telefis hEirenn, the State-owned but feisty and independent radio-TV monopoly.
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'But do you believe in the pookah yourself?' asked the RTE man.
'That I do not,' the farmer replied firmly, 'and I doubt much that he believes in me either!'
I knew then that I had indeed found my spiritual homeland, wherever I may otherwise roam, and that Yeats and Joyce and O'Brien had not risen out of a vacuum. We had planned to say six months; we eventually stayed six years.
Anthony Burgess once argued that English English, American English and all the other varieties of Anglophonics have become rational and pragmatic [closure-oriented] but Irish English remains ludic and esthetic [open-oriented]. The rest of us speak dry prose; the Irish speak playful poetry.
While I see some truth in that formulation, I would prefer to describe all-other-English as belonging to what Neurolinguistic therapist Dr Richard Bandler calls the meta-model [statements we can logically judge as true or false] and Irish English as belonging to the Milton-model [statements not containable in true-false logic but capable of seducing us into sudden new perceptions.]
The Milton-model, named after Dr. Milton Erickson --'the greatest the"
The Celtic Roots of Quantum Theory
The reality of metaphysics is the reality of masks.
--Oscar Wilde
By Robert Anton Wilson
The day in 1982 when my wife, Arlen, and I arrived in Ireland we tried her battery-operated radio to listen avidly to whatever we might find: our way of dipping our toes in the new culture before plunging into its alien waters totally. By the kind of coincidence that I don't regard as coincidental we found an RTE* interviewer discussing local legends about the pookah with a Kerry farmer. As a longtome pookaphile, I found the conversation spellbinding, but the best part came at the end:
-------------------
*RTE = Radio Telefis hEirenn, the State-owned but feisty and independent radio-TV monopoly.
-------------------
'But do you believe in the pookah yourself?' asked the RTE man.
'That I do not,' the farmer replied firmly, 'and I doubt much that he believes in me either!'
I knew then that I had indeed found my spiritual homeland, wherever I may otherwise roam, and that Yeats and Joyce and O'Brien had not risen out of a vacuum. We had planned to say six months; we eventually stayed six years.
Anthony Burgess once argued that English English, American English and all the other varieties of Anglophonics have become rational and pragmatic [closure-oriented] but Irish English remains ludic and esthetic [open-oriented]. The rest of us speak dry prose; the Irish speak playful poetry.
While I see some truth in that formulation, I would prefer to describe all-other-English as belonging to what Neurolinguistic therapist Dr Richard Bandler calls the meta-model [statements we can logically judge as true or false] and Irish English as belonging to the Milton-model [statements not containable in true-false logic but capable of seducing us into sudden new perceptions.]
The Milton-model, named after Dr. Milton Erickson --'the greatest the"

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